Auntie Sewing Squad Oral History Archive

 

Auntie Sewing Squad Interviews



Kristina Wong

Teaching the Auntie Sewing Squad Oral History Excerpts in the Classroom


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Introduction

Welcome to the student-led Auntie Sewing Squad Oral History Archive! This oral history archive was created as part of a final project for Dr. Chrissy Yee Lau's course, SBS 112: Women and Social Change in the U.S. From the 1890s to the Present Day, in the fall of 2020 and spring of 2021, and SBS 322: Asian American Women’s History in the spring of 2021.

This oral history archive derives from a genealogy of community-based oral history projects that aims to redress the historical absence of women’s lives from archival collections. Throughout CSUMB’s first fully online semester, SBS 112 students worked with oral history archives that centered women's voices during significant historical events, including the Federal Writers Project in the New Deal, the WWII Rosie the Riveter Archive, and the Chicana Feminism Oral History Project. This class emphasizes student-led oral histories and takes its cue from Grace Yoo’s first class on the Auntie Sewing Squad at San Francisco State University. Oral histories provide opportunities for students to drive the interview and Aunties to pass on their stories. Students created an archive dedicated to the histories and activism of the Auntie Sewing Squad during Covid-19.

The Auntie Sewing Squad was founded on March 24, 2020 by performance artist Kristina Wong who organized a group of Asian American women as a casual effort to sew homemade masks in the absence of the federal government’s failure to provide personal protective equipment. Originally intended as a three week stopgap, the Auntie Sewing Squad sewed over 400,000 masks until their retirement a year and half later in September of 2021. The Squad exploded into a network of hundreds of active Aunties, Uncles, and Unties, across the United States who prioritized sending masks to communities disproportionately affected by COVID-19 because of long standing structural inequalities, particularly Black, Indigenous, People Of Color (BIPOC) communities across the North American continent.

Much like the core value of the Auntie Sewing Squad that primarily serves BIPOC communities who have been disproportionately impacted by institutional racism, oral history is a history from below. In response to top-down histories that are primarily centered on written documents, oral history is a tool that historians use to capture communities with oral traditions or whose histories did not get preserved in formal archival institutions. Oral history is a significant tool to record histories of marginalized communities who have been overlooked by top-down histories, particularly BIPOC. This oral history archive aims to capture the histories and perspectives of members of the Auntie Sewing Squad through their own voices.

Like any scholarly discipline, student practitioners can and must be trained in the practice of oral history. Our class oral history workshop included the following steps: 1) Research 2) Finding Interviewees and Creating a Question Guide 3) Conduct Interview 4) Transcribe Interview 5) Build a Public Archive. For research, we read the leading oral historian Judy Yung’s article “Giving Voice to Chinese American Women.” After completing their interviews, student practitioners of SBS 112 created a “Best Practices” guide for future oral historians.

The purpose of this oral history archive is to provide and make available oral histories for public use. This archive can be utilized in a variety of ways. First, educators can use these oral histories for pedagogical purposes. These oral histories can be assigned as texts or utilized in lesson plans in the classroom. Second, researchers can utilize these oral histories for their manuscripts. These oral histories can be used for scholars interested in gender and women’s studies, Asian American studies, and history. And finally, artists and producers can utilize these oral histories in their social media projects. These oral histories can be utilized in films or podcast episodes. Please follow our citation recommendations.

This oral history archive would not be possible without the labor and love of many folks. First, thank you to the resilient students of SBS 112 and 322 for conducting oral histories. Second, thank you to the amazing members of the Auntie Sewing Squad for volunteering their time and stories. And finally, thank you to John Brady, librarian at CSUMB, for organizing the digital archive. For any questions, please contact Dr. Chrissy Yee Lau at chrissylau@sfsu.edu.

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Browse the Auntie Sewing Squad Oral History Archive Collections:

Auntie Sewing Squad Interviews

Teaching the Auntie Sewing Squad Oral History Excerpts in the Classroom