Date
12-2025
Document Type
Capstone Project (Open Access)
Degree Name
Bachelor of Arts (B.A.)
Department
Music & Performing Arts
Major
Music
First Advisor
John Wineglass
Second Advisor
Violet Cavicchi Munoz
Abstract
This project documents the historical, technical, and creative significance of recording studios through both industry examples and the design and construction of a personal backyard studio. By examining iconic studios such as Abbey Road and Capitol Records, the paper highlights how technological innovation, acoustic engineering, and architectural design have shaped the evolution of recorded music. These concepts are then applied to the planning and construction of a custom-built recording studio, emphasizing room dimensions, sound isolation techniques, acoustic treatment, lighting, and sustainable design choices. In addition, the project addresses the importance of aesthetics and emotional comfort in creating a space that supports creative vulnerability and long-term productivity. The project also includes an analysis of studio equipment, microphone selection, and recording techniques used in the production of the original song “Gaslight,” demonstrating how purposeful design and technical decisions directly influence artistic and technical outcomes. Ultimately, this essay argues that a recording studio is not merely a functional space, but an extension of the artist’s identity.
Recommended Citation
Adkison, McKayla J., "From Inside The Recording Studio" (2025). Capstone Projects and Master's Theses. 2044.
https://digitalcommons.csumb.edu/caps_thes_all/2044
Included in
Architectural Engineering Commons, Audio Arts and Acoustics Commons, Composition Commons, Construction Engineering Commons, Interior Architecture Commons, Interior Design Commons, Music Performance Commons, Music Practice Commons, Music Theory Commons, Other Music Commons, Physics Commons