Date

5-2018

Document Type

Capstone Project (Campus-Only Access)

Degree Name

Bachelor of Arts (B.A.)

Department

Music & Performing Arts

Major

Music

First Advisor

Lanier Sammons

Abstract

With disco losing its popularity at the end of the 1970s, DJs were left without a sound to keep dance floors full. In Chicago it was this situation that lead to the creation of house music. The purpose of this paper is to provide a historical background of house music as a genre and highlight how contemporary artist differ from pioneering artists by their ways of music production. In doing so, I explore how emerging technologies of the time, like drum machines, polyphonic synths and digital audio workstations, redefined the conventions of the genre and in turn created numerous sub-genres along the way.

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Additional Files

Album Link.pdf (19 kB)

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