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Home > Communities > CAHSS > HCOM > HCOM 434: Creative Publishing and Critical Storytelling > HCOM 432S: Social Action Writing

HCOM 432S: Social Action Writing

 
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  • What’s on Your Mind with Syd and Philly Special Edition by Syndey Brown and Philip Nakashian

    What’s on Your Mind with Syd and Philly Special Edition

    Syndey Brown and Philip Nakashian

    This podcast reveals the reach of the pandemic as it affected the role of libraries as well as individual mental health. The piece features creative writing, interviews and commentary.

  • Farmworkers & The Pandemic Social Action Podcast by Elizabeth Hernandez Vasquez and Andrea Lopez

    Farmworkers & The Pandemic Social Action Podcast

    Elizabeth Hernandez Vasquez and Andrea Lopez

    This podcast interweaves poetry, interviews and dialogue to examine the particular vulnerabilities fieldworkers face, especially in light of the pandemic. It also explores advocacy and community support.

  • Mental Health and 2020 by Juliana Navarini, Oscar Alejos, and Shawn Middleton-Bryson

    Mental Health and 2020

    Juliana Navarini, Oscar Alejos, and Shawn Middleton-Bryson

    The podcast consists of three interviews each of which describe how their work has adapted due to the effects of COVID. How they work through it and around it. Topics such as creativity, adaptation, and mental health are at the forefront.

  • Theatre in the Time of COVID by Sarah Smet, Lily Bartle, and Larissa Sooter

    Theatre in the Time of COVID

    Sarah Smet, Lily Bartle, and Larissa Sooter

    Humanity has always turned to storytelling for survival and for connection. Theatre is a place where people gather for that connection and an experience unlike any other. When theatres shut down due to COVID-19, it was clear that the performers and the performing arts as a whole would be affected. In this podcast we interview three individuals from the world of theater to examine why people are so drawn to this form of storytelling, and where they see the future of the performing arts in “The After.”

 
 
 

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